![]() ![]() ![]() ![]() Being able to connect with some part of that original magic is the storytelling goal, but there is a more substantial need - to simply spend the time living with these characters and immersing in their world. ![]() The history of the original creators' run on the book is the benchmark of quality I strive to live up to. Most everything we love about Marvel and comics, in general, came from innovations started from this book. The Fantastic Four's dynamic was Marvel in a nutshell, the human idiosyncrasies coupled with dynamic art and inventive storytelling. What is it about the Fantastic Four that appeals to you and connects with you personally as a storyteller? I thought that it was a unique point of history to touch on, and I'm bold enough to think I should be writing a follow-up. His suggestion was for me to take a classic Marvel Story like, "This Man, This Monster" and embellish it with my art interpretation and added content. Doing a sequel to their most famous single issue is an idea that goes back to something Marvel Editor-in-Chief Tom DeFalco proposed to me almost thirty years ago. ![]()
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